Касио стк 671 инструкция на русском

Casio CTK-671 User Manual

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USER’S GUIDE

GUÍA DEL USUARIO

P

CTK671-ES-1

CTK671_es_cover.p65

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Summary of Contents for Casio CTK-671

  • Page 1
    USER’S GUIDE GUÍA DEL USUARIO CTK671-ES-1 CTK671_es_cover.p65 Page 1 01.8.1, 3:53 PM Adobe PageMaker 6.5J/PPC…
  • Page 2
    GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas). NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
  • Page 3: Welcome

    Welcome… To the happy family of satisfied CASIO electronic musical instrument owners! To get the most out of the many features and functions of the keyboard, be sure to carefully read this manual and keep it on hand for future reference.

  • Page 4: Introduction

    Introduction Congratulations upon your selection of this CASIO musical instrument. This keyboard provides you with the following features and functions. 348 tones, including 100 “Advanced Tones” A total of 238 standard tones including piano, organ, brass, and other presets provide you with the sounds you need, while memory for 10 user tones lets you store your own original creations.

  • Page 5: Registration Memory

    Keyboard setups can be stored in memory for later recall and instant settings when- ever you need them. Up to 16 setups (4 setups x 4 banks) can be stored in registration memory. Data download from your computer You can use your computer to download data from the CASIO MUSIC SITE. 703A-E-005A…

  • Page 6: Safety Precautions

    Safety Precautions Symbols Various symbols are used in this user’s guide and on the product itself to ensure that the product is used safely and correctly, and to prevent injury to the user and other persons as well as damage to property. Those sym- bols along with their meanings are shown below.

  • Page 7
    2. If you are using the AC adaptor for power, unplug it from the wall outlet. 3. Contact your original retailer or an authorized CASIO Service Pro- vider. AC Adaptor Misuse of the AC adaptor creates the risk of fire and electric shock.
  • Page 8
    2. If you are using the AC adaptor for power, unplug it from the wall outlet. 3. Contact your original retailer or an authorized CASIO Service Pro- vider. Disassembly and Modification Never try to take this product apart or modify it in any way. Doing so…
  • Page 9
    CAUTION AC Adaptor Misuse of the AC adaptor creates the risk of fire and electric shock. Always make sure you observe the following precautions. • Do not locate the electric cord near a stove or other sources of heat. • Never pull on the cord when un- plugging from the electrical out- let.
  • Page 10
    Display Screen • Never push on the display screen’s LCD panel or subject it to strong impact. Doing so can cause the LCD panel’s glass to crack, creating the risk of personal injury. • Should the LCD panel ever crack or break, never touch the liquid inside of the panel.
  • Page 11: Care Of Your Instrument

    Care of your Instrument Avoid heat, humidity or direct sunlight. Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place. Do not use near a TV or radio. This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away from the TV or radio.

  • Page 12: Table Of Contents

    Contents Welcome..E-1 Introduction … E-2 Safety Precautions … E-4 Care of your keyboard … E-9 Contents … E-10 General Guide … E-12 About the display …E-14 Playing a Demo Tune … E-15 Power Supply… E-16 Using batteries …E-16 Using the AC Adaptor …

  • Page 13
    Song Memory Function … E-46 Tracks …E-46 Basic Song Memory operations … E-46 Using Real-time Recording …E-47 Mixer Mode Settings …E-48 Playing Back from Song Memory … E-49 Recording Melody and Chords with Step Recording … E-49 Recording Multiple Tracks … E-52 Correcting Mistakes While Step Recording …E-54 Editing Memory Contents …
  • Page 14: General Guide

    General Guide BANK E-12 BANK STORE STORE 703A-E-014A…

  • Page 15
    • Key, button, and other names are indicated in the text of this manual using bold type. 1 Speaker C Tone list 2 POWER button D a) INTRO/ENDING 1/2 buttons 3 Power indicator 4 MODE switch 5 VOLUME slider 6 Rhythm list 7 Equalizer list E a) BANK button 8 a) SONG MEMORY button…
  • Page 16: About The Display

    About the display Indicators appear here to show when reverb, chorus, DSP, the Mixer Mode, Song Memory, or Touch Response is being used. The TONE indicator appears when you are selecting or viewing the TONE setting, while RHYTHM appears for the RHYTHM setting. The AD and TONE indicators both appear when you are select- ing or viewing an Advanced Tone.

  • Page 17: Playing A Demo Tune

    The number of beats per minute are indicated while a rhythm, Auto-accompaniment, or Song Memory Mode is being used. • The tempo area is also used to indicate the Song Memory function’s clock. REC flashes on the display during Song Memory record standby. REC remains on the display without flashing while recording is in progress.

  • Page 18: Power Supply

    Power Supply This keyboard can be powered by current from a standard household wall outlet (using the specified AC adaptor) or by batteries. Always make sure you turn the keyboard off when- ever you are not using it. Using batteries Always make sure you turn off the keyboard before loading or replacing batteries.

  • Page 19: Using The Ac Adaptor

    Using the AC Adaptor Make sure that you use only the AC adaptor specified for this keyboard. Specified AC Adaptor: AD-5 DC 9V jack AC adaptor AD-5 SUSTAIN/ PHONES/ DC 9V MIDI ASSIGNABLE JACK OUTPUT Also note the following important warnings and precautions when using the AC adaptor.

  • Page 20: Memory Contents

    Memory Contents In addition to the above settings, data stored in the Registra- tion Mode and Song Memory Mode is also retained when keyboard power is turned off. Electrical Power The settings and memory data described above are retained as long as the keyboard is being supplied with electrical pow- er.

  • Page 21: Connections

    703A-E-021A When connected to a musical instrument amplifier, set the volume of the keyboard to a relatively low level and make output volume adjustments using the amplifier’s controls.

  • Page 22: Accessories And Options

    Sustain/Assignable jack Terminal You can connect an optional sustain pedal (SP-2 or SP-10) to the SUSTAIN/ASSIGNABLE JACK terminal to enable the ca- pabilities described below. For details on how to select the pedal function you want, see “Changing Other Settings” on page E-63. SUSTAIN/ASSIGNABLE JACK Terminal SUSTAIN/ PHONES/…

  • Page 23: Basic Operations

    Basic Operations VOLUME MODE POWER This section provides information on performing basic key- board operations. To play the keyboard Press the POWER button to turn the keyboard Set the MODE switch to NORMAL. Use the VOLUME slider to set the volume to a relatively low level.

  • Page 24: Using An Advanced Tone

    Using an Advanced Tone 100 of the preset tones are “Advanced Tones,” which are vari- ations of standard tones created by programming in effects (DSP) and other settings. For example, PIANO is modified into STEREO PIANO, ORGAN becomes ROTARY SPEAK- ER ORGAN, and so on.

  • Page 25: Applying Effects To Tones

    Applying Effects to Tones REVERB CHORUS This keyboard provides you with a selection of effects that you can apply to tones. The built-in effects include a wide variety of variations that give you access to a selection of general digital effects. Effect Blocks The following shows how the effects of this keyboard are or- ganized.

  • Page 26
    REVERB CHORUS Changing the Settings of REVERB and CHORUS Parameters You can control the relative strength of an effect and how it is applied. The parameters you can control depend on the ef- fect. See the following section titled “REVERB and CHORUS Parameters”…
  • Page 27: Selecting A Dsp Type

    Selecting a DSP Type Perform the following steps to select a DSP type. Press the DSP button so the indicator appears next to DSP on the display. Use the [+] and [–] buttons or number buttons to select the type of DSP you want. •…

  • Page 28
    NOTE • Whether or not an effect is applied to the parts that are sound- ing also depends on Mixer Mode Reverb Send, Chorus Send, and DSP on/off settings. See “Mixer Function” on page E-35 for more information. • Playing a demo tune (page E-15) automatically changes the effect to the one that is assigned to the tune.
  • Page 29: Using The Equalizer

    Using the Equalizer EQUALIZER The equalizer is another type of effect that you can use to make adjustments in tone quality. Frequencies are divided among a number of bands, and raising and lowering the lev- el of each frequency band alters the sound. You can reproduce the optimal acoustics for the type of mu- sic you are playing (classics, for example) by selecting the applicable equalizer setting.

  • Page 30: Auto Accompaniment

    Auto Accompaniment MODE VARIATION/FILL-IN 1/2 This keyboard automatically plays bass and chord parts in accordance with the chords you finger. The bass and chord parts are played using sounds and tones that are automati- cally selected to select the rhythm you are using. All of this means that you get full, realistic accompaniments for the melody notes you play with your right hand, creating the mood of a one-person ensemble.

  • Page 31: Using Auto Accompaniment

    • The accompaniment keyboard can be used for playing chords only. No sound will be produced if you try playing single melo- dy notes on the accompaniment keyboard. Chord Types CASIO CHORD accompaniment lets you play four types of chords with minimal fingering. Chord Types Example…

  • Page 32
    INTRO/ENDING 1/2 NOTE • It makes no difference whether you press black or white keys to the right of a major chord key when playing minor and sev- enth chords. FINGERED FINGERED provides you with a total of 15 different chord types.
  • Page 33: Using An Intro Pattern

    FULL RANGE CHORD This accompaniment method provides a total of 38 different chord types: the 15 chord types available with FINGERED plus 23 additional types. The keyboard interprets any input of three or more keys that matches a FULL RANGE CHORD pattern to be a chord.

  • Page 34: Using A Fill-In Pattern

    Before starting, you should first select the rhythm you want to use, set the tempo, and use the MODE switch to select the chord play method you want to use (NORMAL, CASIO CHORD, FINGERED, FULL RANGE CHORD). To use synchro start Press the SYNCHRO/FILL-IN NEXT button to put the keyboard into synchro start standby.

  • Page 35: Finishing With An Ending Pattern

    • Auto Harmonize turns off temporarily whenever you start demo tune play. It turns back on as soon as the operation or function that caused it to turn off is finished. • Auto Harmonize is enabled only when the Auto Accompani- ment mode is FINGERED or CASIO CHORD. E-33…

  • Page 36: Adjusting The Accompaniment Volume

    ACCOMP VOLUME About Auto Harmonize notes and tones The notes you play on the keyboard are called “melody notes,” while the notes added to the melody by Auto Har- monize is called the “harmonize notes.” Auto Harmonize normally uses the tone you selected for the melody notes as the tone for the harmonize notes, but you can use the Mixer (page E-35) to specify a different tone for the harmonize notes.

  • Page 37: Mixer Function

    • When this keyboard is being used as the sound source for an externally connected computer or other MIDI device, all 16 channels are assigned musical instrument parts. The notes played over the channel selected by steps 1 and 2 under “Turn- ing Channels On and Off”…

  • Page 38: Using The Parameter Edit Mode

    MIXER Use the [+]/[–] buttons to select on or off. Example: To turn the channel off. C h a n n e l • Press [ ] (EXIT) to return to the channel selection screen. • Pressing the MIXER button returns to the Tone Screen. NOTE •…

  • Page 39: How Parameters Work

    How Parameters Work The following are the parameters whose settings can be changed in the Parameter Edit Mode. Tone Parameters Tone (Range: 000 to 247) This parameter controls the tones assigned to each part. T o n e N o . NOTE •…

  • Page 40: Synthesizer Mode

    Synthesizer Mode The Synthesizer Mode of this keyboard provides the tools for creating your own original tones. Simply select one of the built-in tones and change its parameters to create your own original sound. You can even store your sounds in memory and select it using the same procedure as that used to select a preset tone.

  • Page 41
    Resonance Resonance enhances the harmonic components in the vicini- ty of the cutoff frequency, which creates a distinctive sound. A larger resonance value enhances the sound as shown in the figure. Level Cut off frequency Small Value Large Value Resonance NOTE •…
  • Page 42: Creating A User Tone

    Creating a User Tone Use the following procedure to select a preset tone and change its parameters to create a user tone. First, select the preset tone you want to use as a basis for your user tone. Press the SYNTH button. •…

  • Page 43
    Vib.Depth (Vibrato Depth) (Range: –64 to 00 to +63) Depth of the vibrato effect V i b D e Vib.Rate (Vibrato Rate) (Range: –64 to 00 to +63) Rate (speed) of the vibrato effect V i b . R a t e Cut Off Freq.
  • Page 44: Storing A User Tone In Memory

    User Tone Creation Hints The following hints provide helpful advice on making user tone creation a bit quicker and easier. Use a preset tone that is similar to the one you are trying to create. Whenever you already have a rough idea of the tone you are trying to create, it is always a good idea to start with a preset tone that is similar.

  • Page 45
    E-43 703A-E-045A…
  • Page 46: Registration Memory

    Registration Memory Registration Memory Features Registration memory lets you store up to 16 keyboard setups (4 sets x 4 banks) for instant recall whenever you need them. The following is a list of settings that are saved in registra- tion memory. Registration Memory Settings •…

  • Page 47: To Save A Setup In Registration Memory

    Setup Names You can assign setups into one of 16 areas, which you can select using BANK buttons 1 through 4 and the four REGIS- TRATION buttons. Area names range from 0-1 through 3-4 as shown below. BANK STORE BANK 0 BANK 1 BANK 2 BANK 3…

  • Page 48: Song Memory Function

    Song Memory Function SONG MEMORY START/STOP This keyboard lets you record up to two separate songs in song memory for later playback. There are two methods you can use to record a song: real-time recording where you record the notes as you play them on the keyboard, and step record- ing where you input chords and notes one-by-one.

  • Page 49: Using Real-Time Recording

    Using Real-time Recording With real-time recording, the notes you play on the keyboard are recorded as you play them. To record with real-time recording Press the SONG MEMORY button twice to enter real-time record standby. • Perform step 2, below, within five seconds after en- tering record standby.

  • Page 50: Mixer Mode Settings

    SONG MEMORY SYNCHRO/FILL-IN NEXT START/STOP Mixer Mode Settings Channel 1 Mixer parameters (page E-36) are automatically recorded to Track 1. You can use the Mixer to change each of the parameters. Memory Capacity The keyboard has memory for approximately 3,500 notes. You can use all 3,500 notes for a single song, or you can divide memory between two different songs.

  • Page 51: Playing Back From Song Memory

    Playing Back from Song Memory Once you record tracks to song memory, you can play them back to see what they sound like. To play back from song memory Use the SONG MEMORY button to enter play- back standby, and then use the [+] and [–] but- tons to select a song number (0/1).

  • Page 52
    When the MODE switch is set to NORMAL during step re- cording, you can specify chords using a method that is dif- ferent from CASIO CHORD and FINGERED fingerings. This chord specification method can be used to input 18 different chord types using only two keyboard keys, so chords can be specified even if you don’t know how to actually play them.
  • Page 53
    Example 1: To input Gm7, hold down G on the root input keyboard and press the m7 key on the chord type input keyboard. (m7) Press key to specify chord Hold down key to specify chord root. type. Example 2: To input Gm/C, hold down C and G on the root input keyboard and press the m key on the chord type input keyboard.
  • Page 54: Recording Multiple Tracks

    SONG MEMORY START/STOP Recording Multiple Tracks Track 1 of the keyboard’s song memory records Auto Accom- paniment and keyboard play. In addition, there are five oth- er melody tracks that you can use to record melody parts only. You can record different tones to the melody tracks and build a full ensemble of instruments for your recordings.

  • Page 55
    Use the SONG MEMORY TRACK buttons to se- lect the track you want to record to (2 through Example: Select Track 2. Flash Specify a tone number. • After changing the tone number, press any keyboard key to clear the tone number and name screen, and return to the note input screen.
  • Page 56: Correcting Mistakes While Step Recording

    SONG MEMORY SONG MEMORY TRACK Correcting Mistakes While Step Re- cording Memory data can be thought of as a musical score that progresses from left to right, with the input point normally at the far right of the recorded data. The procedure described here lets you move the input point to the left in order to make changes in data you have already input.

  • Page 57: Editing Memory Contents

    To delete specific note data Perform steps 1 and 2 under “To correct mis- takes while step recording” above to display the note you want to delete. Press the [ ] (ENTER) button. In response to the “Delete?” message that ap- pears on the screen, press the YES button to de- lete the displayed note.

  • Page 58
    Should this happen, you will have to re-record the entire track. To change a chord Use the chord fingering method selected by the MODE switch (FINGERED, CASIO CHORD, etc.) to input a chord. C h o r d E-56 [ ]/[ ] CURSOR [+]/[–]…
  • Page 59: Editing A Song

    Editing a Song You can perform the following operations in the song edit- ing mode. • Delete a song • Delete a track • Song header data rewrite (Panel Record) To delete a song Press the SONG MEMORY button once to enter playback standby.

  • Page 60
    SONG MEMORY To rewrite song header data (Panel Record) You can use a procedure called “Panel Record” to change the initial Mixer, tempo and other settings stored in the song header. Press the SONG MEMORY button once to enter playback standby. Use the [+] and [–] buttons to select the number of the song that contains the header data you want to rewrite.
  • Page 61: Keyboard Settings

    Keyboard Settings This section describes how to use layer (to play two tones with a single key) and split (to assign different tones to ei- ther end of the keyboard), and how to make touch response, transpose, and tuning settings. Using Layer Layer lets you assign two different tones (a main tone and a layered tone) to the keyboard, both of which play whenever…

  • Page 62: Using Layer And Split Together

    • Split cannot be used while standing by for recording or while recording is being performed in the Memory Mode. • When the MODE switch is set to CASIO CHORD or FINGERED, the accompaniment keyboard range is in accordance with the split point you specify with the above procedure.

  • Page 63: Using Touch Response

    To split the keyboard and then layer tones Press the TONE button and then input the tone number of the main tone. Example: To set “065 BRASS SECTION” as the main tone. B r s S e c t Press the SPLIT button and then input the num- ber of the split tone.

  • Page 64: Transposing The Keyboard

    [+]/[–] TOUCH/TRANSPOSE/SETTING Tuning the Keyboard The tuning feature lets you fine tune the keyboard to match the tuning of another musical instrument. To tune the keyboard Press the TOUCH/TRANSPOSE/SETTING but- ton. Use the [ ] and [ ] (CURSOR) buttons to dis- play the tuning screen.

  • Page 65: Changing Other Settings

    Changing Other Settings Setting Types The table below shows the parameters whose settings you can change. Setting menu Touch Response Specifies of how sound should change with keyboard pressure. (Touch) Transpose Adjusts of overall keyboard tuning by semitone units. (Trans.) Tune Fine adjustment of overall keyboard tuning.

  • Page 66
    To use the keyboard settings menu Press the TOUCH/TRANSPOSE/SETTING button. Use the [ ] and [ ] (CURSOR) buttons, and the [ ] (EXIT) and [ ] (ENTER) buttons to recall the items whose settings you want to change. T o u c h T r a n s .
  • Page 67
    Setting Menu Items Main menu Sub menu Contrast (Contrast) Display/ Pedal Assignable Jack (LCD/Jack) (Jack) Keyboard Channel (Keybd Ch) MIDI In Chord Judge MIDI (Chord) (MIDI) Accomp MIDI Out (AccompOut) Local Control Setting (Local) Mixer Reset (InitMix?) Parameter Reset (InitPar?) User Rhythm No.
  • Page 68: Midi

    MIDI What is MIDI? The letters MIDI stand for Musical Instrument Digital Inter- face, which is the name of a worldwide standard for digital signals and connectors that make it possible to exchange musical data between musical instruments and computers (devices) produced by different manufacturers.

  • Page 69: Sending And Receiving Midi Messages

    • on … Outputs auto accompaniment as MIDI messages through the keyboard’s MIDI OUT terminal. • oFF … Does not output auto accompaniment. NOTE • For details, go to the CASIO Website at the URL below. http://world.casio.com E-67…

  • Page 70: Using The Data Download Service

    Application Software You can run the application software on your computer and transfer data you download from the CASIO MUSIC SITE to the keyboard, and also use your computer’s hard disk for long-term storage of data you transfer from the keyboard to your computer.

  • Page 71: Troubleshooting

    1. Power supply problem. 2. Power is not turned on. 3. Volume setting is too low. 4. The MODE switch is in the CASIO CHORD or FINGERED position. 5. Local Control is off. 6. Mixer channel 1 is turned off.

  • Page 72
    Problem The key or tuning does not match 1. The tuning or transpose parameter when playing along with another is set to a value other than 00. MIDI machine. 2. Mixer coarse tune, fine tune, and/ or octave shift settings are values other than 00.
  • Page 73: Specifications

    Rhythm Patterns: 104 (internal, 4 user areas) Tempo: Variable (226 steps, = 30 to 255) Chords: 3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD) Rhythm Controller: START/STOP, INTRO/ENDING 1 and 2, VARIATION/FILL-IN 1 and 2, SYNCHRO/ FILL-IN NEXT Accomp Volume:…

  • Page 74
    Mixer Function Channels: Parameters: Channel on/off; tone; part on/off; volume; pan pot; octave shift; coarse tune; fine tune; reverb send; chorus send; DSP line MIDI: 16 multi-timbre receive, GM Level 1 standard Other Functions Transpose: 49 steps (–24 semitones to +24 semitones) Tuning: Variable (A4 = approximately 440Hz ±100 cents) LCD:…
  • Page 75: Appendix

    Appendix/Apéndice 703A-E-147A…

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  • Page 98
    This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany. Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania. CASIO COMPUTER CO.,LTD. 6-2, Hon-machi 1-chome MA0105-B    Printed in Malaysia…

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Оглавление инструкции

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    ОФИЦИАЛЬНОЕ УВЕДОМЛЕНИЕ Данное устройство было испытано и признано соответствующим ограничениям, установленным для цифровых уст ройств Класса В, в соответствии с Частью 15 Правил FCC. Эти требования были разработаны в целях обеспечения надлежащей защиты от нежелательных электромагнитных помех при
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    Меры безопасности ● ● Символы В Руководстве для пользователя и на самом музыкаль ном инструменте применяются различные символы, призванные обеспечить безопасное и правильное исполь зование инструмента, предотвратить нанесение телесных повреждений пользователю и иными лицами, равно как и ущерба их
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    ● ● ● До упора вставляйте адаптер в настенную розетку электросети. Вынимайте адаптер из розетки электросети во время грозы, а также перед отъездом в путешествие или перед иным продолжитель ным отсутствием. По крайней мере один раз в год вынимайте адаптер из розетки электросети и вытирай те пыль,
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    Путеводитель по общему устройству инструмента Содержание Добро пожаловать ………………………… 1 Введение …………………………………… 2 Меры безопасности ………………………. 4 Забота о музыкальном инструменте …… 7 Использование режима редактирования параметров
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    ● Названия клавиш, кнопок и иных объектов указываются в тексте данного Руководства жирным шрифтом. 1. Акустическая система 2. Кнопка «POWER» [Электропита ние] 3. Индикатор электропитания 4. Переключатель «MODE» [Режим] 5. Ползунковый регулятор «VOLUME» [Громкость] 6. Список ритмов 7. Таблица
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    Воспроизведение демонстрационных мелодий Нажатие кнопки «DEMO» [Демонстрационные мелодии] запускает воспроизведение демонстрационных мело дий. Имеются две демонстрационные мелодии, которые непрерывно воспроизводятся по очереди. Для того что бы остановить воспроизведение демонстрационных мелодий,
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    Основные рабочие параметры музыкальO ного инструмента Номер тембра, наложение тембров, разделение клавиатуры, точка разделения клавиатуры, чув ствительность клавиш к силе нажатия, ревербера ция, хорусэффект, эффектпроцессор, эквалай зер, номер ритма, темп, установки режима микшера
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    Гнездо «SUSTAIN/ASSIGNABLE JACK» [Правая педаль/Многофункциональi ный разъем] Основные операции К контактному гнезду «SUSTAIN/ASSIGNABLE JACK» вы можете подключить дополнительную правую педаль фортепьяно (SP2 или SP10), чтобы обрести новые исполнительские возможности, описанные ниже. Подробные
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    Применение эффектов к тембрам Использование модифицированO ного тембра 100 из заранее запрограммированных тембров относят ся к числу «модифицированных тембров», которые пред ставляют собой вариации стандартных тембров, создан ные путем программирования цифровых эффектов (DSP). Например, тембр
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    ❚ ПРИМЕЧАНИЕ ● Изменение установок параметров для эффектов «REVERB» и «CHORUS» Вы можете управлять относительной силой эффекта и тем, как он применяется. Параметры, которыми вы мо жете управлять, зависят от конкретного эффекта. Более подробные сведения об этом смотрите в следующем раз деле,
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    Использование эквалайзера ❚ ПРИМЕЧАНИЯ ● Применяется или не применяется некий эффект к тем партиям, которые звучат в текущий момент, зависит также от текущих установок режима микшера «Reverb Send» [Посыл реверберации], «Chorus Send» [Посыл хорусэффекта] и «DSP on/off» [Эффектпроцессор вклю
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    Автоаккомпанемент ❚ ПРИМЕЧАНИЕ ● Одновременное нажатие обеих кнопок «TEMPO» ( и ) возвращает темп к его исходной величине для текущего выбранного ритма. Использование автоаккомпанемента Приведенная ниже процедура описывает, как пользовать ся функцией автоаккомпанемента данного музыкально го
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    Êíîïêè «INTRO/ENDING» [Âñòóïëåíèå/Êîíöîâêà] 1 è 2 ❚ ПРИМЕЧАНИЕ Во время исполнения минорных аккордов и септаккор дов не имеет значения, нажимаете ли вы черные или бе лые клавиши справа от клавиши мажорного аккорда. «FINGERED» «FULL RANGE CHORD» Пример: Как исполнить аккорд «C» [Домажор]. Этот
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    Завершение исполнения при помоO щи модели концовки Использование функции «Auto Harmonize» [Автогармонизация] Вы можете закончить свое исполнение моделью заклю чительной части (концовки), что приведет используе мый вами ритм к естественно звучащему завершению. Когда вы пользуетесь
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    Функция «Mixer» [Микшер] О нотах и тембрах функции «Auto Harmonize» [Автогармонизация] Ноты, которые вы играете на клавиатуре, называются «нотами мелодии», тогда как ноты, добавляемые к мело дии функцией автогармонизации, называются «нотами гармонизации». Функция «Auto Harmonize» обычно ис
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    ■ «Part On/Off» [Партия включена/выключена] (Установки: «On», «Off») Данный параметр может быть использован для включе ния (звучит) или выключения (не звучит) любой партии. Текущий статус «On/Off» каждой партии указывается на дисплее, как описано ниже. ■ «Volume» [Громкость] (Диапазон: от 000 до
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    Режим «Synthesizer» [Синтезатор] Режим «Synthesizer» данного музыкального инструмента предоставляет в ваше распоряжение инструменты для создания ваших собственнных оригинальных тембров. Для создания собственного оригинального звука, про сто выберите один из встроенных тембров и изменяйте его
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    ■ «Vib.Depth» [Глубина вибрато] (Диапазон: от P 64 до +63) Глубина эффекта вибрато. Êíîïêà «SYNTH» [Ñèíòåçàòîð] [왗]/[왘] Êíîïêè «CURSOR» ■ «Reverb Send» [Посыл реверберации] (ДиапаP зон: от 000 до 127) Этот параметр регулирует реверберацию. V i bDe p t h Êíîïêè [+] è [-] ■«Vib.Rate» [Интенсивность
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    Êíîïêà «SYNTH» [Ñèíòåçàòîð] [왔] Êíîïêà «ENTER» [Ââîä êîìàíäû] Êíîïêè [+] è [-] Советы относительно создания тембi ра пользователя Сохранение тембра пользователя в памяти Приведенные ниже полезные советы помогут вам сде лать процесс создания тембров пользователя чутьчуть более быстрым и простым.
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    Регистрационная память Адресные названия регистраций Вы можете назначить очередную динамическую выбор ку параметров (регистрацию) в одну из 16 зон, которую вы можете выбрать в одном из четырех банков памяти (с 1го по 4й) с помощью кнопки «BANK» [Банк] и четы рех кнопок «REGISTRATION»
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    Функция «Song Memory» [Память песен] Основные операции памяти песен Текущее состояние функции «Song Memory» меняется каждый раз, когда вы нажимаете кнопку «SONG MEMORY». 3. Для того чтобы выбрать 1ю дорожку, нажмите кнопку CHORD/TR1 «CHORD/TR1 CHORD/TR1» [Аккорд/Дорожка 1] из группы кнопок SONG
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    Воспроизведение записей из памяO ти песен Запись мелодии и аккордов с помоi щью режима пошаговой записи Записав дорожки в памяти песен, вы можете воспроизве сти их, чтобы услышать, как они звучат. С помощью режима пошаговой записи вы можете запи сывать аккорды автоаккомпанемента и ноты и даже
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    Пример 1: Для того чтобы ввести Gm7, удерживайте нажатой клавишу G на регистре ввода основных тонов аккордов и нажмите клавишу m7 на регистре ввода типов аккордов. 5. Исполняйте аккорд. ● ● Используйте тот метод исполнения аккордов, кото рый задан текущей установкой переключателя «MODE»
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    2. Используйте кнопки группы «SONG SONG MEMORY TRACK TRACK» для выбора дорожки, на которую вы хотите записывать (со 2й по 6ю). Пример: Выбрана дорожка 2. 3. Задайте номер тембра. Многоканальная запись 1я дорожка памяти песен данного музыкального инст румента записывает автоаккомпанемент и
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    Как стереть конкретные нотные данные 1. Выполните этапы 1 и 2 процедуры, изложенной выше под заголовком «Как исправлять ошибки во время пошаго вой записи», чтобы вывести на дисплей ту ноту, которую вы хотите стереть. 4. Используйте кнопки [ ] и [ ] «CURSOR CURSOR CURSOR» для переме щения к тому
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    Редактирование песни В режиме редактирования песни вы можете выполнять следующие операции: ● Стереть песню ● Стереть дорожку ● Записать заново данные заголовка песни (процедура «Panel Record» [Запись с пульта]) Как стереть песню Методы редактирования и состав дисплея Ниже излагаются технические
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    Установка рабочих параметров клавиатуры РАЗДЕЛЕНИЕ КЛАВИАТУРЫ 5. Теперь попробуйте сыграть чтонибудь на клавиатуре. ● Этот раздел описывает, как пользоваться функциями наложения тембров (как исполнять два тембра с помо щью одной клавиши) и разделения клавиатуры (как на значать различные тембры
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    Как разделить клавиатуру, а затем произвести наложение тембров 1. Нажмите кнопку «TONE TONE TONE» [Тембр], а затем введите но мер основного тембра. Пример: В качестве основного задан тембр «065 BRASS SECTION». 2. Нажмите кнопку «SPLIT SPLIT SPLIT» [Разделение клавиатуры], а за тем введите номер
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    Пункты меню установок Îñíîâíîå ìåíþ Ñóáìåíþ Êîíòðàñò (ñóáìåíþ «Contrast») Äèñï./Ïåäàëü (ìåíþ «LCD/Jack») Ìíîãîôóíêöèîíàëüíûé ðàçúåì (ñóáìåíþ «Jack») Как пользоваться меню установок параметров клавиатуры 1. Нажмите кнопку «TOUCH/TRANSPOSE/SETTING TOUCH/TRANSPOSE/SETTING TOUCH/TRANSPOSE/SETTING». 2.
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    MIDI Что такое MIDI? MIDIiканалы Сочетание букв MIDI это аббревиатура выражения «Musical Instrument Digital Interface» [Цифровой Интер фейс Музыкальных Инструментов], представляющего собой название всемирного стандарта для цифровых сиг налов и соединительных устройств, который делает воз
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    Использование сервиса загрузки данных Музыкальные данные аккомпанементов, песен, тембров, цифровых эффектов и регистраций (динамических вы борок параметров), а также программное обеспечение для передачи данных между вашим компьютером и му зыкальным инструментом всегда доступны для загрузки с
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    Технические характеристики 64 65
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    66 Код кома Тип нды Старший Макс. Тип цифро «Program байт No Группа тембров Название тембра Change» выбора поли диапа вого фония зона эффекта [Смена банка тембра] Штатные тембры музыкального инструмента Список тембров Код кома Тип нды Старший Макс. Тип цифро «Program байт No Группа тембров
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    68 69 Код кома Тип нды Старший Макс. Тип цифро «Program байт поли диапа No Группа тембров Название тембра Change» выбора вого фония зона эффекта [Смена банка тембра] Модифицированные тембры Код кома Тип нды Старший Макс. Тип цифро «Program байт поли диапа No Группа тембров Название тембра
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    70 71 Код кома Тип нды Старший Макс. Тип цифро «Program байт No Группа тембров Название тембра Change» выбора поли диапа вого фония зона эффекта [Смена банка тембра] Тембры системы General MIDI (GMiтембры) Код кома Тип нды Старший Макс. Тип цифро «Program байт поли диапа No Группа тембров
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    Тембры ударных Обычный 1 октава вниз 2 октавы вниз 1 октава вверх 2 октавы вверх 1/2 октавы 1/4 октавы Значение Символ Диапазоны ❚ ПРИМЕЧАНИЕ Код кома Тип нды Старший Макс. Тип цифро «Program байт поли диапа No Группа тембров Название тембра Change» выбора вого фония зона эффекта [Смена банка
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    Названия тембров «GRAND PIANO» [Ðîÿëü] «GRAND PIANO WIDE» [Ðàñøèðåíèå ðîÿëÿ] «MELLOW PIANO» [Ñî÷íîå ôîðòåïüÿíî] «BRIGHT PIANO» [ßðêîå ôîðòåïüÿíî] «MODERN PIANO» [Ñîâðåìåííîå ôîðòåïüÿíî] «HONKY-TONK» [Êàáàöêîå ïèàíèíî] «ELEC.GRAND PIANO» [Ýëåêòðîííûé ðîÿëü] «ELEC.PIANO» [Ýëåêòðîííîå ôîðòåïüÿíî]
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    76 77 :Вы можете изменять клавиатурный регистр уменьшенных аккордов «dim7» для основных тонов A, B и B, а также увеличенных аккордов «aug» для основных тонов B и B посредством регулирования установки точки разделения клавиатуры (стр. 54). Данная таблица показывает аппликатуры общераспространенных
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    Список цифровых (DSP) эффектов 78 Список эффектов группы «CHORUS» [Хорусiэффект] Список эффектов группы «REVERB» [Реверберация] Список эффектов Устанавливаемые параметры зависят от типа DSPэффекта. Кроме того, параметры для каждого типа DSPэффекта зависят от алгоритма*, ассоциируемого с данным
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    80 [52] [53] [54] [55] [56] [57] Идентификатор алгоритма 12 12 M17 M17 M17 M16 Дисплейное имя OdRot1 OdRot2 RotRef1 RotRef2 RotRef3 OdRtRef1 [58] M16 OdRtRef2 [59] M16 OdRtRef3 Уохэффект [60] [61] [62] 04 05 M21 LFOWah AutoWah AWhChDly [63] M22 LWhChDly Гитарные эффекты [64] [65] [66] [67] [68]
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    82 83 ■ Параметры 0 : «Speed» [Режим скорости] (Диапазон: «Slow» [Мед ленная], «Fast» [Быстрая]) Переключает режим между быстрой и медленной скоростью. 1 : «Break» [Остановка] (Диапазон: «Rotate» [Вращать ся], «Stop» [Остановиться]) Прекращает вращение акустической системы. 2 : «Fall Accell»
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    84 85 ■ Функция Линия задержки с перекрестной обратной связью для стереофонического входного и выходного сиг нала. 21: «Stereo Delay 2» [Стереофоническая линия задержки 2] ■ Параметры 0 : «Delay Time» [Время задержки] (Диапазон: от 0 до 127) Регулирует время задержки. 1 : «Wet Level» [Уровень
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    86 87 ■ Параметры 0 : Интенсивность НЧмодуляции хорусэффекта 1 : Глубина НЧмодуляции хорусэффекта 2 : Контур обратной связи хорусэффекта 3 : Уровень обработанного сигнала хорусэффекта 4 : Время задержки 5 : Уровень обработанного сигнала линии задержки 6 : Контур обратной связи линии задержки
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    88 89 ■ Функция Мультиэффектор, который связывает эффекторы «Низкокачественный звук» «Отражение звука». M14: Multi14 (Низкокачественный звук O ОтO ражение звука) ■ Параметры 0 : Частота встроенного генератора кольцевого моду лятора 1 : Интенсивность НЧмодуляции кольцевого модуля тора 2 :
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    90 91 ■ Параметры 0 : Глубина компрессора 1 : Атака компрессора 2 : Уровень компрессора 3 : Интенсивность НЧмодуляции хорусэффекта ■ Функция Мультиэффектор, который связывает эффекторы «Автоматический Уохэффект» «2фазный хорус эффект треугольного сигнала» «Линия задержки с 2 отводами». ■
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    92 93
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    96
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    CTK671-ES-1 P USER’S GUIDE GUÍA DEL USUARIO CTK671_es_cover.p65 01.8.1, 3:53 PM Page 1 Adobe PageMaker 6.5J/PPC[…]

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    703A-E-002A GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas). NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a re[…]

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    E-1 W elcome… T o the happy family of satisfied CASIO electronic musical instrument owners! T o get the most out of the many features and functions of the keyboar d, be sure to car efully read this manual and keep it on hand for future r eference. Important! Please note the following important information before using this pr oduct. • Before us[…]

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    E-2 Congratulations upon your selection of this CASIO musical instrument. This keyboar d provides you with the following featur es and functions. ❐ 348 tones, including 100 “ Advanced T ones ” A total of 238 standard tones including piano, or gan, brass, and other pr esets provide you with the sounds you need, while memory for 10 user tones l[…]

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    E-3 ❐ General MIDI compatibility The General MIDI tones of this keyboard let you connect to a personal computer to enjoy “desktop music” capabilities. This keyboard can be used as a desktop music input device or sound source, and it’s just the thing for playback of commer cially available pre-r ecorded General MIDI music software. ❐ Po[…]

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    E-4 Safety Precautions Symbols Various symbols are used in this user’s guide and on the product itself to ensure that the product is used safely and correctly, and to prevent injury to the user and other persons as well as damage to property. Those sym- bols along with their meanings are shown below. DANGER This symbol indicates information that,[…]

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    E-5 AC Adaptor Misuse of the AC adaptor’s electric cord can damage or break it, creat- ing the risk of fire and electric shock. Always make sure you observe the following precautions. • Never place heavy objects on the cord or subject it to heat. • Never try to modify the cord or subject it to excessive bending. • Never twist or stretch the[…]

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    E-6 Plastic Bags Never place the plastic bag the prod- uct comes in over your head or in your mouth. Doing so creates the risk of suffocation. Particular care concerning this pre- caution is required where small chil- dren are present. Keep off of the product and stand. * Climbing onto the product or stand can cause it to tip over or become damaged[…]

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    E-7 Cleaning Before cleaning the product, always unplug the AC adaptor from the wall outlet first. Leaving the AC adaptor plugged in creates the risk of damage to the AC adaptor, fire, and electric shock. Batteries Misuse of batteries can cause them to leak resulting in damage to nearby objects, or to explode, creat- ing the risk of fire and person[…]

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    E-8 IMPORTANT! When using batteries, be sure to replace them or shift to one of the alternate power sources whenever you notice any of the following symptoms. • Dim power indicator • Instrument does not turn on • Display that is flickering, dim, or difficult to read • Abnormally low speaker/headphone volume • Distortion of sound output ?[…]

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    E-9 Avoid heat, humidity or direct sunlight. Do not overexpose the instrument to dir ect sunlight, or place it near an air conditioner , or in any extremely hot place. Do not use near a TV or radio. This instrument can cause video or audio interference with TV and radio r eception. If this happens, move the instrument away from the TV or radio. Do […]

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    E-10 Contents 703A-E-012A W elcome… ………………………… E-1 Introduction ……………………… E-2 Safety Precautions ……………. E-4 Care of your keyboard ………. E-9 Contents …………………………. E-10 General Guide …………………. E-12 About the display ………………………………. E-14 Playin[…]

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    E-11 703A-E-013A Song Memory Function …… E-46 T racks ……………………………………………… E-46 Basic Song Memory operations …………… E-46 Using Real-time Recording …………………. E-47 Mixer Mode Settings ………………………….. E-48 Playing Back from Song Memory ………… E-49 Recording Melody and C[…]

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    E-12 General Guide 703A-E-014A REST /YES /NO ( TIE ) 3 FULL RANGE MAX MIN PLAY RECORD STEP RECORD CHORD FINGERED CASIO CHORD NORMAL BANK STORE 89AB D EF G H D E G F H 1 2 3 4 5 6 8 0 B 7 9 AC * 1 BANK STORE PLA Y RECORD STEP RECORD REST /YES /NO ( TIE ) 3 a b a b c d e f a b c d e b c a b a c d a b a f e d c a b b c d[…]

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    E-13 * Attaching of the Score Stand Firmly press the music stand pr ovided with the keyboard all the way into the groove on the top of the keyboar d. OUT IN SUSTAIN/ ASSIGNABLE JACK MIDI PHONES/ OUTPUT DC 9V H I J K L M ab c b 703A-E-015A Rear Panel • Key , button, and other names are indicated in the text of this manual using bold type. 1 Speake[…]

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    E-14 G r a n d P n o 1 2 4 8 9 10 14 15 3 6 57 11 12 13 About the display 1. Indicators appear here to show when r everb, chorus, DSP , the Mixer Mode, Song Memory , or T ouch Response is being used. 2. The TONE indicator appears when you ar e selecting or viewing the TONE setting, while RHYTHM appears for the RHYTHM setting. The AD and TONE indica[…]

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    E-15 Playing a Demo Tune Pressing the DEMO button starts demo tune play . There ar e two demo tunes, which continuously play in sequence. T o stop demo tune play , press either the DEMO button or the ST ART/ST OP button. ❚ NOTE • Pressing the [+]/[ – ] buttons skips to the next demo tune. • MIDI, Layer , and Split are disabled while a demo […]

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    E-16 This keyboard can be power ed by current from a standar d household wall outlet (using the specified AC adaptor) or by batteries. Always make sur e you turn the keyboard off when- ever you are not using it. Using batteries Always make sure you turn of f the keyboard before loading or replacing batteries. T o load batteries 1. Remove the batter[…]

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    E-17 Using the AC Adaptor Make sure that you use only the AC adaptor specified for this keyboard. Specified AC Adaptor: AD-5 Also note the following important warnings and precautions when using the AC adaptor . WARNING! • T ake care to avoid any damage to or breakage of the power cord. Never place any heavy objects on the power cord or ex- pose […]

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    E-18 Memory Contents In addition to the above settings, data stored in the Registra- tion Mode and Song Memory Mode is also retained when keyboard power is turned of f. Electrical Power The settings and memory data described above are r etained as long as the keyboard is being supplied with electrical pow- er . Unplugging the AC adaptor when batter[…]

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    E-19 Phones/Output T erminal Before connecting phones or other external equipment, be sure to first turn down the volume settings of the keyboard and the connected equipment. Y ou can then adjust volume to the desired level after connections ar e complete. Rear Panel Connecting Phones 1 Connecting phones cuts off output from the keyboar d ’ s bui[…]

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    E-20 703A-E-022A Sustain Pedal • W ith piano tones, depressing the pedal causes notes to lin- ger , much like a piano ’ s damper pedal. • W ith organ tones, depressing the pedal causes notes to con- tinue to sound until the pedal is released. Sostenuto Pedal • As with the sustain pedal function described above, de- pressing the sostenuto pe[…]

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    E-21 3. Use the number buttons to input the three digit tone number for the tone you want to select. Example: T o select “ 039 ACOUSTIC BASS ” , input 0, 3 and then 9. ❚ NOTE • Always input all three digits for the tone number , including lead- ing zeros (if any). • Y ou can also increment the displayed tone number by press- ing [+] and d[…]

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    E-22 Using an Advanced Tone 100 of the preset tones ar e “ Advanced T ones, ” which are vari- ations of standard tones cr eated by programming in effects (DSP) and other settings. For example, PIANO is modified into STEREO PIANO, ORGAN becomes ROT ARY SPEAK- ER ORGAN, and so on. T o select an Advanced T one 1. Press the ADV ANCED TONE button. ?[…]

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    E-23 This keyboard provides you with a selection of ef fects that you can apply to tones. The built-in effects include a wide variety of variations that give you access to a selection of general digital effects. Effect Blocks The following shows how the effects of this keyboar d are or- ganized. REVERB Reverb simulates the acoustics of specific typ[…]

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    E-24 703A-E-026A Changing the Settings of REVERB and CHORUS Parameters Y ou can control the r elative strength of an effect and how it is applied. The parameters you can control depend on the ef- fect. See the following section titled “ REVERB and CHORUS Parameters ” for more information. 1. After selecting the effect you want, press the [ 왔 […]

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    E-25 703A-E-027A Selecting a DSP T ype Perform the following steps to select a DSP type. 1. Press the DSP button so the indicator appears next to DSP on the display . 2. Use the [+] and [–] buttons or number buttons to select the type of DSP you want. • See the “ Effect List ” on page A-10 for information about the DSP types that can be sel[…]

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    E-26 ❚ NOTE • Whether or not an effect is applied to the parts that are sound- ing also depends on Mixer Mode Reverb Send, Chorus Send, and DSP on/of f settings. See “ Mixer Function ” on page E-35 for more information. • Playing a demo tune (page E-15) automatically changes the effect to the one that is assigned to the tune. Y ou cannot […]

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    E-27 Using the Equalizer The equalizer is another type of effect that you can use to make adjustments in tone quality . Frequencies are divided among a number of bands, and raising and lowering the lev- el of each frequency band alters the sound. Y ou can repr oduce the optimal acoustics for the type of mu- sic you are playing (classics, for exampl[…]

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    E-28 This keyboard automatically plays bass and chor d parts in accordance with the chor ds you finger . The bass and chord parts are played using sounds and tones that ar e automati- cally selected to select the rhythm you ar e using. All of this means that you get full, realistic accompaniments for the melody notes you play with your right hand, […]

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    E-29 ❚ NOTE • Pressing both TEMPO buttons ( 왖 and 왔 ) at the same time resets the tempo to the default value of the currently selected rhythm. Using Auto Accompaniment The following procedur e describes how to use the keyboard ’ s Auto Accompaniment feature. Before starting, you should first select the rhythm you want to use and set the t[…]

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    E-30 703A-E-032A ❚ NOTE • It makes no difference whether you press black or white keys to the right of a major chord key when playing minor and sev- enth chords. FINGERED FINGERED provides you with a total of 15 differ ent chord types. The following describes the FINGERED “ accompani- ment keyboard ” and “ melody keyboar d ” , and tells[…]

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    E-31 Example: T o play the chord C major . Any of the fingerings shown in the illustration below will produce C major . E G C E C G ❚ NOTE • As with the FINGERED mode (page E-30), you can play the notes that form a chord in any combination ( 1 ). • When the lowest note of a chord is separated from its neigh- boring note by six or more semiton[…]

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    E-32 703A-E-034A Synchro Starting Accompaniment with Rhythm Play Y ou can set up the keyboard to start r hythm play at the same time you play the accompaniment on the keyboard. The following procedur e describes how to use synchro start. Before starting, you should first select the r hythm you want to use, set the tempo, and use the MODE switch to […]

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    E-33 Using Auto Harmonize When you are using Auto Accompaniment, Auto Harmonize automatically adds three additional notes to your melody in accordance with the chor d that is being played. The result is a harmony effect that makes your melody line richer and fuller . T o use Auto Harmonize 1. Use the MODE switch to select FINGERED or CASIO CHORD as[…]

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    E-34 About Auto Harmonize notes and tones The notes you play on the keyboard ar e called “ melody notes, ” while the notes added to the melody by Auto Har- monize is called the “ harmonize notes. ” Auto Harmonize normally uses the tone you selected for the melody notes as the tone for the harmonize notes, but you can use the Mixer (page E-3[…]

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    E-35 703A-E-037A What you can do with the Mixer This keyboard lets you play multiple differ ent musical in- strument parts at the same time during auto-accompaniment play , song memory playback, receipt of data through the MIDI terminal, etc. The Mixer assigns each part to a separate chan- nel (1 through 16) and lets you control the channel on/of f[…]

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    E-36 703A-E-038A 4. Use the [+]/[ – ] buttons to select on or off. Example: T o turn the channel off. • Press [ 왖 ] (EXIT) to r eturn to the channel selection screen. • Pressing the MIXER button r eturns to the T one Screen. ❚ NOTE • The MIDI data display shows only the data for the channels selected with the Mixer . How Channel On/Off […]

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    E-37 T uning Parameters Y ou can use these parameters to tune each of the parts indi- vidually . ■ Coarse T une (Range: –24 to 00 to +24) This parameter controls the coarse tuning of the selected chan- nel ’ s pitch in semitone units. ■ Fine T une (Range: –99 to 00 to +99) This parameter controls the fine tuning of the selected chan- nel […]

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    E-38 The Synthesizer Mode of this keyboard pr ovides the tools for creating your own original tones. Simply select one of the built-in tones and change its parameters to create your own original sound. Y ou can even store your sounds in memory and select it using the same procedure as that used to select a preset tone. Synthesizer Mode Functions Th[…]

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    E-39 Saving User T ones The group of tone numbers fr om 238 through 247 (User 01 through User 10) is called the “ user ar ea ” because they are r e- served for storage of user tones. After you recall a preset tone and change its parameters to create your own user tone, you can store it in the user ar ea for later recall. Y ou can recall your to[…]

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    E-40 Creating a User T one Use the following procedur e to select a preset tone and change its parameters to create a user tone. 1. First, select the preset tone you want to use as a basis for your user tone. 2. Press the SYNTH button. • This enters the Synth Mode, which is indicated by the indicator next to SYNTH on the display screen. 3. Use [ […]

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    E-41 703A-E-043A ■ V ib.Depth (V ibrato Depth) (Range: –64 to 00 to +63) Depth of the vibrato effect ■ V ib.Rate (V ibrato Rate) (Range: –64 to 00 to +63) Rate (speed) of the vibrato effect ■ Cut Off Freq. (Cutof f frequency) (Range: –64 to 00 to +63) High-band cutoff for the harmonic components of the tone ■ Resonance (Range: –64 t[…]

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    E-42 Storing a User T one In Memory The following procedur e shows how to store a user tone in memory . Once a tone is stored, you can call it up just as you do with a preset tone. T o name a user tone and store it in memory 1. Select a preset tone to use as the basis for the user tone, press the SYNTH button to enter the Synthesizer Mode, and make[…]

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    E-43 703A-E-045A    […]

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    E-44 Registration Memory Registration Memory Features Registration memory lets you store up to 16 keyboard setups (4 sets x 4 banks) for instant recall whenever you need them. The following is a list of settings that are saved in r egistra- tion memory . Registration Memory Settings • T one • Rhythm • T empo • Split on/off • Split point ?[…]

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    E-45 703A-E-047A Setup Names Y ou can assign setups into one of 16 areas, which you can select using BANK buttons 1 through 4 and the four REGIS- TRA TION buttons. Ar ea names range from 0-1 through 3-4 as shown below . 1 Use the BANK button to select the bank. Each press of BANK cycle through the bank numbers from 0 to 3. 2 Pressing one of the REG[…]

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    E-46 This keyboard lets you r ecord up to two separate songs in song memory for later playback. There ar e two methods you can use to recor d a song: real-time recor ding where you recor d the notes as you play them on the keyboard, and step r ecord- ing where you input chor ds and notes one-by-one. ❚ NOTE • Layer and split cannot be used while[…]

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    E-47 703A-E-049A Song number (0 or 1) R e c o r d Using Real-time Recording W ith real-time r ecording, the notes you play on the keyboard are r ecorded as you play them. T o record with real-time recording 1. Press the SONG MEMORY button twice to enter real-time record standby . • Perform step 2, below , within five seconds after en- tering reco[…]

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    E-48 SONG MEMORY TRACK [+]/[ – ] SONG MEMORY START/STOP SYNCHRO/FILL-IN NEXT 703A-E-050A Mixer Mode Settings Channel 1 Mixer parameters (page E-36) are automatically recor ded to T rack 1. Y ou can use the Mixer to change each of the parameters. Memory Capacity The keyboard has memory for appr oximately 3,500 notes. Y ou can use all 3,500 notes f[…]

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    E-49 Recording Melody and Chords with Step Recording W ith step recording, you can recor d Auto-Accompaniment chords and notes, and even specify note lengths one by one. Even those who find it difficult to play along on the key- board with an Auto-Accompaniment can create Auto-Accom- paniments based on their own original chord pr ogressions. The fo[…]

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    E-50 T rack 1 Contents After Step Recording In addition to chords, the following data is also r ecorded to T rack 1 during step recor ding. This data is applied whenever T rack 1 is played back. • Rhythm number • INTRO/ENDING 1 button, INTRO/ENDING 2 button, V ARIA TION/FILL-IN 1 button, V ARIA TION/FILL-IN 2 button, SYNCRHO/FILL-IN NEXT button[…]

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    E-51 703A-E-053A T rack 1 Step Recording V ariations The following describes a number of differ ent variations you can use when recor ding to T rack 1 using step recording. All of these variations are based upon the pr ocedure described under “ T o recor d chords with step recor ding ” on page E-49. ● T o start accompaniment with an intro pat[…]

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    E-52 703A-E-054A Recording Multiple Tracks T rack 1 of the keyboard ’ s song memory r ecords Auto Accom- paniment and keyboard play . In addition, there are five oth- er melody tracks that you can use to recor d melody parts only . Y ou can recor d different tones to the melody tracks and build a full ensemble of instruments for your recor dings.[…]

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    E-53 Recording track Not recording track 703A-E-055A 2. Use the SONG MEMORY TRACK buttons to se- lect the track you want to record to (2 through 6). Example: Select T rack 2. 3. Specify a tone number . • After changing the tone number , press any keyboard key to clear the tone number and name screen, and return to the note input scr een. 4. Use t[…]

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    E-54 Correcting Mistakes While Step Re- cording Memory data can be thought of as a musical score that progresses fr om left to right, with the input point normally at the far right of the recor ded data. The procedure described her e lets you move the input point to the left in order to make changes in data you have alr eady input. Note, however , […]

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    E-55 703A-E-057A T o delete specific note data 1. Perform steps 1 and 2 under “ T o correct mis- takes while step recording ” above to display the note you want to delete. 2. Press the [ 왔 ] (ENTER) button. 3. In response to the “ Delete? ” message that ap- pears on the screen, press the YES button to de- lete the displayed note. Editing […]

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    E-56 ❚ NOTE • In the case of real-time recording, you later can change tone numbers you specified while recording to T racks 1 through 6 is in progress. • Y ou can only change tone numbers that were originally set for T racks 2 through 6 using step recording. ● T o change a rhythm number Use the number buttons or [+] and [ – ] buttons to […]

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    E-57 4. Press the [ 왗 ] or [ 왘 ] (CURSOR) button to dis- play the track delete screen. 5. Use the SONG MEMORY TRACK buttons to se- lect the recorded track or tracks whose data you want to delete. T rack delete standby • Y ou can specify more than one track for deletion by pressing mor e than one track select button. • T o deselect a track, […]

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    E-58 T o rewrite song header data (Panel Record) Y ou can use a procedur e called “ Panel Record ” to change the initial Mixer , tempo and other settings stored in the song header . 1. Press the SONG MEMORY button once to enter playback standby . 2. Use the [+] and [ – ] buttons to select the number of the song that contains the header data y[…]

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    E-59 Using Split W ith split you can assign two differ ent tones (a main tone and a split tone) to either end of the keyboard, which lets you play one tone with your left hand and another tone with your right hand. For example, you could select STRINGS as the main (high range) tone and PIZZICA TO STRINGS as the split (low range) tone, putting an en[…]

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    E-60 703A-E-062A LAYER TOUCH/TRANSPOSE/SETTING [+]/[ – ] SPLIT TONE Main Tone (STRINGS) Split point Split Tone (PIZZICATO STRINGS) S t r i n g s P i z z . S t r SPLIT T o split the keyboard 1. First select the main tone. Example: T o select “ 050 STRINGS ” as the main tone, press the TONE button and then use the num- ber buttons to input 0, 5[…]

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    E-61 T o split the keyboard and then layer tones 1. Press the TONE button and then input the tone number of the main tone. Example: T o set “ 065 BRASS SECTION ” as the main tone. 2. Press the SPLIT button and then input the num- ber of the split tone. Example: T o set “ 048 PIZZICA TO STRINGS ” as the split tone. • After specifying the s[…]

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    E-62 703A-E-064A Transposing the Keyboard T ranspose lets you raise and lower the overall key of the key- board in semitone units. If you want to play an accompani- ment for a vocalist who sings in a key that ’ s differ ent from the keyboard, for example, simply use transpose to change the key of the keyboard. T o transpose the keyboard 1. Press […]

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    E-63 Changing Other Settings Setting T ypes The table below shows the parameters whose settings you can change. Setting menu T ouch Response (T ouch) T ranspose (T rans.) T une (T une) Display/Pedal (LCD/Jack) MIDI (MIDI) Initialize/Delete (Init/Del) Page E-61 E-62 E-62 E-65 E-65 E-65 Description Specifies of how sound should change with keyboard p[…]

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    E-64 703A-E-066B T o use the keyboard settings menu 1. Press the TOUCH/TRANSPOSE/SETTING button. 2. Use the [ 왗 ] and [ 왘 ] (CURSOR) buttons, and the [ 왖 ] (EXIT) and [ 왔 ] (ENTER) buttons to recall the items whose settings you want to change. K e y b d C h C o n t r a s t J a c k C h o r d A c o m p O u t L o c a l I n i t M i x ? I n i t […]

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    E-65 Setting Menu Items Description Adjusts display contrast. Assigns the sustain pedal effect to a pedal. Assigns the sostenuto pedal effect to a pedal. Assigns the soft pedal effect to a pedal. Assigns the ST ART/ST OP button function to a ped- al. Specifies the send channel for main tone play . Specifies whether accompaniment range MIDI Note On […]

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    E-66 703A-E-068A MIDI What is MIDI? The letters MIDI stand for Musical Instrument Digital Inter- face, which is the name of a worldwide standard for digital signals and connectors that make it possible to exchange musical data between musical instruments and computers (devices) produced by differ ent manufacturers. MIDI com- patible equipment can e[…]

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    E-67 Sending and Receiving MIDI Mes- sages This keyboard can send notes you play on the keyboard, as well as auto accompaniment patterns and Song Memory play- back as MIDI messages to another device. MIDI Send Data ■ Keyboard Play Each keyboard part (Channels 1 through 4) is sent over its own individual MIDI channel. When Auto Harmonize is turned[…]

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    E-68 703A-E-070A Using the Data Download Service Accompaniment, song, tone, DSP , and registration data, as well as application software for transferring data between your computer and the keyboard ar e all available for down- load at the CASIO MUSIC SITE * . ■ Data and Application Software Data itself as well as application software for transfer[…]

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    E-69 703A-E-071A T roubleshooting Problem Possible Cause Action See page No keyboard Sound Any of the following symptoms while using battery power . • Dim power indicator • Instrument does not turn on. • Display that is flickering, dim, or difficult to r ead • Abnormally low speaker/head- phone volume • Distortion of sound output • Occa[…]

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    E-70 703A-E-072A Problem Possible Cause Action See page The key or tuning does not match when playing along with another MIDI machine. Parts suddenly drop out during song memory playback. Some parts do not play at all dur- ing song memory playback. Cannot recor d Auto Accompani- ment or rhythm. Nothing happens when the LA Y — ER or SPLIT button is […]

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    E-71 Model: CTK-671 Keyboard: 61 standard-size keys, 5 octaves with touch r esponse (Off / Light / Normal / Heavy) T ones: 348 total (100 panel tones + 128 GM tones + 10 drum sounds + 10 user tones + 100 Advanced T ones); layer/split Rhythm Instrument T ones: 61 Polyphony: 32 notes maximum (16 for certain tones) Effects: DSP (1 10 types: internal, […]

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    E-72 703A-E-074A Mixer Function Channels: 16 Parameters: Channel on/off; tone; part on/off; volume; pan pot; octave shift; coarse tune; fine tune; reverb send; chor us send; DSP line MIDI: 16 multi-timbre receive, GM Level 1 standar d Other Functions T ranspose: 49 steps ( – 24 semitones to +24 semitones) T uning: V ariable (A4 = approximately 44[…]

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    A-1 0 PIANO GRAND PIANO 0 65 32 N — 1 GRAND PIANO WIDE 06 7 1 6 N — 2 MELLOW PIANO 0 66 32 N — 3 BRIGHT PIANO 1 65 32 N — 4 MODERN PIANO 1 66 16 N — 5 HONKY -TONK 3 65 16 N — 6 ELEC.GRAND PIANO 26 5 3 2 N — 7 ELEC.PIANO 4 65 32 N — 8 MODERN E.PIANO 56 5 1 6 N — 9 GLASS E.PIANO 4 66 16 N — 10 SOFT E.PIANO 5 66 16 N — 1 1 HARPSICHORD 6 65 32 N — 12 C[…]

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    A-2 56 CHOIR AAHS 52 65 32 N — 57 VOICE DOO 53 65 32 N — 58 SYNTH-VOICE 54 65 32 N — 59 ORCHESTRA HIT 55 65 16 N — 60 BRASS TRUMPET 56 65 32 N — 61 TROMBONE 57 65 32 -1 — 62 TUBA 58 65 32 -1 — 63 MUTE TRUMPET 59 65 32 N — 64 FRENCH HORN 60 65 16 -1 — 65 BRASS SECTION 61 65 32 N — 66 OCT A VE BRASS 61 66 16 N — 67 BRASS+SYNTH 61 67 16 N — 68 ANALOG […]

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    A-3 Advanced T ones Sonidos avanzados 0 PIANO STEREO PIANO 0 68 32 N Reflect 1 SYNTH-STR.PIANO 0 70 16 N Reflect 2 VOICE PIANO 0 69 16 N Reflect 3 STRINGS PIANO 1 68 16 N Reflect 4 DANCE PIANO 1 69 16 N EnhaDly 5 60’S OCT A VE PIANO 3 68 16 N Equalize 6 MODERN E.G.PIANO 2 68 16 N ChoDly1 7 TREMOLO E.PIANO 4 68 32 N ChoTrem 8 SYNTH-STR.E.PIANO […]

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    A-4 62 ST ACK TUBA 58 68 16 -1 CmpEnDly 63 W AH MUTE TRUMPET 59 68 32 N AwCrDly 64 OCT FRENCH HORN 60 68 16 -1 ChoDly3 65 STEREO BRASS 61 68 16 N EnhaDly 66 TRUMPET + BRASS 61 69 16 N Plate1 67 BRASS SFZ 61 70 16 N EnhaDly 68 DEEP SYNTH-BRASS 62 68 16 N EnhaDly 69 SLOW SYNTH-BRASS 63 68 16 N ChoDly4 70 REED MELLOW S.SAX 64 68 16 N Reflect 71 A.SAXY[…]

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    A-5 GM T ones Sonidos GM 100 PIANO Piano 1 0 0 32 N — 101 Piano 2 1 0 32 N — 102 Piano 3 2 0 32 N — 103 HONKY -TONK GM 3 0 16 N — 104 E.PIANO 1 4 0 32 N — 105 E.PIANO 2 5 0 16 N — 106 HARPSICHORD GM 60 3 2 N — 107 CLA VI GM 7 0 32 N — 108 CHROMA TIC PERC CELEST A GM 8 0 32 N — 109 GLOCKENSPIEL OCT 90 3 2 N — 1 10 MUSIC BOX 10 0 16 N — 1 1 1 VIBRAPH[…]

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    A-6 N Normal -1 1 Octave Down -2 2 Octave Down 1 1 Octave Up 2 2 Octave Up 1/2 1/2 Octave 1/4 1/4 Octave ❚ NOTE Range Symbol Meaning 206 SHAMISEN 106 0 32 N — 207 KOTO 107 0 32 N — 208 THUMB PIANO 108 0 32 N — 209 BAG PIPE 109 0 16 N — 210 FIDDLE 1 10 0 32 N — 21 1 SHANAI 1 11 0 32 N — 212 TINKLE BELL 1 12 0 32 N — 213 PERCUSSIVE AGOGO 1 13 0 32 […]

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    A-7 228 ST ANDARD SET 1 0 120 229 ST ANDARD SET 2 1 120 230 ROOM SET 8 120 231 POWER SET 16 120 232 ELECTRONIC SET 24 120 233 SYNTH SET 1 25 120 234 SYNTH SET 2 30 120 235 JAZZ SET 32 120 236 BRUSH SET 40 120 237 ORCHESTRA SET 48 120 238 User 01 0 71 239 User 02 1 71 240 User 03 2 71 241 User 04 3 71 242 User 05 4 71 243 User 06 5 71 244 User 07 6 […]

  • Страница 82

    A-8 Key/Note number Clave/ N ú mero de nota 0: ST ANDARD SET 1 HIGH Q SLAP SCRA TCH PUSH SCRA TCH PULL STICKS SQU ARE CLICK METRONOME CLICK METRONOME BELL ST ANDARD 1 KICK 2 ST ANDARD 1 KICK 1 SIDE STICK ST ANDARD 1 SNARE 1 HAND CLAP ST ANDARD 1 SNARE 2 LOW T OM 2 CLOSED HI-HA T LOW T OM 1 PEDAL HI-HA T MID TOM 2 OPEN HI-HA T MID TOM 1 HIGH TOM 2 […]

  • Страница 83

    A-9 Root Nota fundamental M m 7 dim7 M7 m7 -5 dim m7 Chord Type Root Chord Type Tipo de acorde C D E F G A B C /(D )   (D )/E   F /(G )   (G )/A   (A )/B   C D E F G A B C /(D )   (D )/E   F /(G )   (G )/A   (A )/B   aug sus4 7sus4 m add9 mM7 7 -5 add9 Nota fundamental Tipo de acorde : Y o[…]

  • Страница 84

    A-10 No. Display Name T ype Name N º Nombre de display Nombre de tipo 00 Chorus 1 Chorus 1 01 Chorus 2 Chorus 2 02 Chorus 3 Chorus 3 03 Chorus 4 Chorus 4 04 FBChorus Feedback Chorus 05 Flanger1 Flanger 1 06 SDelay 1 Short Delay 1 07 SDelay 2 Short Delay 2 08 SFChorus Soft Chorus 09 BRChorus Bright Chorus 10 DPChorus Deep Chorus 1 1 Flanger 2 Flang[…]

  • Страница 85

    A-11 703A-E-157A DSP Algorithm Display DSP Name No. ID Name N º Identificaci ó n Nombre Nombre DSP DSP (ID) de de algoritmo presentaci ó n DSP Algorithm Display DSP Name No. ID Name N º Identificaci ó n Nombre Nombre DSP DSP (ID) de de algoritmo presentaci ó n DSP Algorithm Display DSP Name No. ID Name N º Identificaci ó n Nombre Nombre DSP[…]

  • Страница 86

    A-12 DSP Algorithm List 00 : Auto Pan ■ Function Continually performs left-right panning of the input signal in accordance with an LFO. ■ Parameters 0 : Rate (Range: 0 to 127) Adjusts the panning rate. 1 : Depth (Range: 0 to 127) Adjusts the panning depth. 01 : Tremolo ■ Function Adjusts volume of input signal in accordance with an LFO. ■ P[…]

  • Страница 87

    A-13 3 : Depth(Range: -64 to 0 to +63) Adjusts the depth of the wah in accordance with the level of the input signal. Setting a positive value causes the wah filter to open in direct pr oportion with the size of the input signal, producing a bright sound. Setting a negative value causes the W ah filter to close in accordance with the size of the in[…]

  • Страница 88

    A-14 2 : Rate (Range: 0 to 127) Adjusts the rate of the LFO. 3 : Depth (Range: 0 to 127) Adjusts the depth of the LFO. 4 : W et Level (Range: 0 to 127) Adjusts the level of the effect sound. 1 1 : Rotary ■ Function This is a rotary speaker simulator . ■ Parameters 0 : Speed (Range: Slow , Fast) Switches the speed mode between fast and slow . 1 […]

  • Страница 89

    A-15 6 : Bass(Range: -64 to 0 to +63) Adjusts the volume of low sounds. 7 : Level (Range: 0 to 127) Adjusts the output level. 16 : 1-Phase Chorus ■ Function This is monaural chorus in accordance with a sine wave LFO. ■ Parameters 0 : LFO Rate (Range: 0 to 127) Adjusts the rate of the LFO. 1 : LFO Depth (Range: 0 to 127) Adjusts the depth of the[…]

  • Страница 90

    A-16 ■ Parameters 0 : Delay T ime (Range: 0 to 127) Adjusts the delay time. 1 : W et Level (Range: 0 to 127) Adjusts the level of the effect sound. 2 : Feedback (Range: 0 to 127) Adjusts the repeat of the delay . 3 : High Damp (Range: 0 to 127) Adjusts damping of the high-range delay sound. The smaller the value, the greater the damp- ing of high[…]

  • Страница 91

    A-17 1 : T ime (Range: 0 to 127) Adjusts the reverb time. 2 : High Damp (Range: 0 to 127) Adjusts damping of the high-range reverb sound. The smaller the value, the greater the damp- ing of high-range reverb sound. 3 : ER Level (Range: 0 to 127) Adjusts the level of the initial reflection. 4 : W et Level (Range: 0 to 127) Adjusts the level of the e[…]

  • Страница 92

    A-18 M05 : Multi05 (Enhancer – 1-Phase Chorus) ■ Function This is a multi effector r elated to Enhancer — 1- Phase Chorus. ■ Parameters 0 : Enhancer Low Frequency 1 : Enhancer Low Gain 2 : Enhancer High Frequency 3 : Enhancer High Gain 4 : Chorus LFO Rate 5 : Chorus LFO Depth 6 : Chorus Feedback 7 : Chorus W et Level M06 : Multi06 (Enhancer ?[…]

  • Страница 93

    A-19 M13 : Multi13 (Ring Modulator – Distortion) ■ Function This is a multi effector r elated to Ring Modu- lator — Distortion. ■ Parameters 0 : Ring OSC Frequency 1 : Ring LFO Rate 2 : Ring LFO Depth 3 : Ring W et Level 4 : Ring Dry Level 5 : Distortion Gain 6 : Distortion T one 7 : Distortion Level M14 : Multi14 (Lo-Fi – Reflection) ■ F[…]

  • Страница 94

    A-20 1 : Phaser Manual 2 : Phaser Rate 3 : Phaser Depth 4 : Chorus LFO Rate 5 : Chorus LFO Depth 6 : Auto Pan Rate 7 : Auto Pan Depth M21 : Multi21 (Auto Wah – Tri 2-Phase Cho- rus – 2-T ap Delay) ■ Function This is a multi effector that is related to Auto W ah — T ri 2-Phase Chorus — 2-T ap Delay . ■ Parameters 0 : W ah Resonance 1 : W ah […]

  • Страница 95

    A-21 M28 : Multi28 (Distortion – 3-T ap Delay) ■ Function This is a multi effector that is r elated to Distor- tion — 3-T ap Delay . ■ Parameters 0 : Distortion Gain 1 : Distortion Low 2 : Distortion High 3 : Distortion Level 4 : Delay T ime 5 : Delay W et Level 6 : Delay Feedback 7 : Delay High Damp M29 : Multi29 (Distortion – Phaser) ■ […]

  • Страница 96

    703A-E-178A Basic Default Channel Changed Default Mode Messages Altered Note Number: True voice Velocity Note ON Note OFF After Key’s Touch Ch’s Pitch Bender 0, 32 1 6, 38 7 10 11 16 17 18 19 64 66 67 71 Control 72 Change 73 74 76 77 Function … Transmitted Recognized Remarks 1-16 1-16 Mode 3 X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ […]

  • Страница 97

    703A-E-179A Change 73 74 76 77 78 80 81 82 83 91 93 98, 99 100, 101 120 121 Program Change : True # System Exclusive System : Song Pos Common : Song Sel : Tune System : Clock Real Time : Commands Aux : Local ON/OFF : All notes OFF Messages : Active Sense : Reset Remarks O O O O O O O O O O O X O X O O 0-127 ❊❊❊❊❊❊❊❊❊❊❊❊❊?[…]

  • Страница 98

    CTK671-ES-1 MA0105-B     Printed in Malaysia P CASIO COMPUTER CO.,LTD. 6-2, Hon-machi 1-chome Shibuya-ku, Tokyo 151-8543, Japan This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany. Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en […]

CTK-671 Manual

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Midi Implementation

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