Pioneer djm 700 инструкция на русском

Quick Links

If the AC plug of this unit does not match the AC outlet you want to use, the plug must be removed and appropriate one fitted. Replacement and mounting of an AC plug on the power supply cord of this unit should be performed only by qualified service personnel. If connected to an AC outlet, the cut-off plug can cause severe electrical shock. Make sure it is properly disposed of after removal.

The equipment should be disconnected by removing the mains plug from the wall socket when left unused for a long period of time (for example, when on vacation).

CAUTION

The POWER switch on this unit will not completely shut off all power from the AC outlet. Since the power cord serves as the main disconnect device for the unit, you will need to unplug it from the AC outlet to shut down all power. Therefore, make sure the unit has been installed so that the power cord can be easily unplugged from the AC outlet in case of an accident. To avoid fire hazard, the power cord should also be unplugged from the AC outlet when left unused for a long period of time (for example, when on vacation).

WARNING

This equipment is not waterproof. To prevent a fire or shock hazard, do not place any container filed with liquid near this equipment (such as a vase or flower pot) or expose it to dripping, splashing, rain or moisture.

VENTILATION CAUTION

When installing this unit, make sure to leave space around the unit for ventilation to improve heat radiation (at least 5 cm at rear, and 3 cm at each side).

WARNING

Slots and openings in the cabinet are provided for ventilation to ensure reliable operation of the product, and to protect it from overheating. To prevent fire hazard, the openings should never be blocked or covered with items (such as newspapers, table-cloths, curtains) or by operating the equipment on thick carpet or a bed.

This product complies with the Low Voltage Directive 2006/95/EC and EMC Directive 2004/108/EC.

D3-4-2-1-9a_A_En

POWER-CORD CAUTION

Handle the power cord by the plug. Do not pull out the plug by tugging the cord and never touch the power cord when your hands are wet as this could cause a short circuit or electric shock. Do not place the unit, a piece of furniture, etc., on the power cord, or pinch the cord. Never make a knot in the cord or tie it with other cords. The power cords should be routed such that they are not likely to be stepped on. A damaged power cord can cause a fire or give you an electrical shock. Check the power cord once in a while. When you find it damaged, ask your nearest PIONEER authorized service center or your dealer for a replacement.

CONFIRM

ACCESSORIES

Operating Instructions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

CAUTIONS REGARDING HANDLING

Location

Install the unit in a well-ventilated location where it will not be exposed to high temperatures or humidity.

•Do not install the unit in a location which is exposed to direct rays of the sun, or near stoves or radiators. Excessive heat can adversely affect the cabinet and internal components. Installation of the unit in a damp or dusty environment may also result in a malfunction or accident. (Avoid installation near cookers etc., where the unit may be exposed to oily smoke, steam or heat.)

•When the unit is used inside a carrying case or DJ booth, separate it from the walls or other equipment to improve heat radiation.

Cleaning the Unit

•Use a polishing cloth to wipe off dust and dirt.

•When the surfaces are very dirty, wipe with a soft cloth dipped in some neutral cleanser diluted five or six times with water and wrung out well, then wipe again with a dry cloth. Do not use furniture wax or cleaners.

•Never use thinners, benzene, insecticide sprays or other chemicals on or near this unit, since these will corrode the surfaces.

FEATURES

Designed for high sound quality

Analog signals are transmitted by the shortest circuitry and converted to digital format at 96 kHz sampling rate via a 24-bit high quality A/D converter. As a result, signals are passed to the digital mixing stage in the best possible state. Mixing is performed with a 32-bit DSP, totally eliminating any loss in fidelity, while the ideal level of filtering is introduced to produce optimum sound for DJ play.

These features are housed in a high-rigidity chassis with highoutput power section and other features that carry on the highfidelity performance of the DJM-1000, thus ensuring the utmost in clear and powerful club sound.

Manual Filter

This unit features Manual Effecter for more intuitive setting of effects, thus expanding the potential range of DJ play. In addition, by combining this with “beat effects,” an even wider range of effects can be produced, allowing a tremendous variety of remix and DJ play.

Beat effects

The “beat effects” so popular on the DJM-600 are continued here. Effects can be applied in linkage to the BPM (Beats Per Minute) count, thus allowing the production of a variety of sounds. Equipped with a broad range of special effects, including delay, echo, trans, filter, flanger, phaser, reverb, robot, crush, roll, reverse roll, uproll, and downroll.

This unit features an “effect frequency filter” allowing the user to limit what frequency bands are subjected to effects, and which are not. This enhances the degree of audio expression compared to conventional effecters that are applied to the entire frequency range.

Digital OUT

The digital output connectors support sampling rates 96 kHz/24bit format and 48 kHz/24-bit format, making the unit even more convenient for cutting studio tracks or on other occasions when high sound fidelity is required. (Only linear PCM is supported.)

MIDI OUT

Virtually all the dial and switch information of the DJM-700-S/ DJM-700-K can be output in MIDI signal format, allowing a component supporting MIDI control to be controlled via MIDI.

CONNECTIONS

CONNECTIONS

CONNECTION PANEL

CONNECTING INPUTS

Pioneer DJ CD players

The audio output connectors of a DJ-type CD player can be connected to the CD input connectors (channel 1 or 2), or to the LINE input connectors (channel 1) of the DJM-700-S/DJM-700-K.

Connect the control cord to the CONTROL jack, and set the input selector switch to [CD] or [LINE].

Analog turntable

To connect an analog turntable, connect the turntable’s audio output cable to one of the channel 2 to 4 PHONO input connectors. Set the corresponding channel’s input selector switch to [PHONO]. The DJM-700-S/DJM-700-K’s PHONO inputs support MM cartridges.

Connect the ground wire from an analog turntable to the SIGNAL GND terminal of the DJM-700-S/DJM-700-K.

• Note that no PHONO input connector is provided for channel 1.

Connecting other line level output devices

To use a cassette deck or ordinary CD player, connect its audio output connectors to one of the DJM-700-S/DJM-700-K’s LINE input connectors (channel 1, 3, or 4) or to the CD input connectors (channel 1 or 2), and set the input selector switch to [LINE].

Microphone

A microphone with XLR-type plug can be connected to the MIC 1 connector on the Operation Panel (upper) .

The MIC 2 jack on the connection panel can be used to connect a microphone with Ø6.3 mm phone plugs.

•When using a microphone, set the operating panel’s MIC switch to [ON] or [TALK OVER], and adjust the LEVEL dial as necessary.

When not using a microphone, it is recommended to set the

MIC switch to [OFF] and rotate the LEVEL dial fully counterclockwise to the [–∞] side.

Microphone 1

FADER START

CH-1 CH-2

Headphones

The PHONES jack on the upper surface of the operating panel can be used to connect headphones with a Ø6.3 mm stereo phone plug.

HEADPHONES

NAMES AND FUNCTIONS OF PARTS

NAMES AND FUNCTIONS OF PARTS

OPERATION PANEL

NAMES AND FUNCTIONS OF PARTS

13 Channel equalizer mid-range adjust dial (MID)

Use to adjust the mid-range frequency sound for each channel. (adjustable range: –26 dB to +6 dB)

14 Channel equalizer low-range adjust dial (LOW)

Use to adjust the bass (low-range) frequency sound for each channel. (adjustable range: –26 dB to +6 dB)

15 Channel level indicator

Displays the current level for each channel, with two-second peak hold.

16 HEADPHONES CUE buttons/indicators

These buttons are used to select from 1 to 4, MASTER, or EFFECTS, to allow you to monitor the desired source through headphones. If multiple buttons are pressed simultaneously, the selected audio sources are mixed. Press the button once more to cancel the selected source. Unselected buttons glow darkly, while selected source buttons light brightly.

17 Fader start button/indicator (FADER START CH-1, CH-2)

Enables the fader start/back cue function for the channel to which a DJ CD player is connected. The button lights when set to ON. When enabled, the operation differs depending on the setting of the CROSS FADER ASSIGN switch.

•When the CROSS FADER ASSIGN switch is set to the [A] or [B] position, fader start button operation is linked to the operation of the cross fader (and unlinked to channel fader).

•When the CROSS FADER ASSIGN switch is set to the [THRU] position, fader start button operation is linked to the operation of the channel fader (and unlinked to cross fader).

18 Channel fader lever

Use to adjust sound volumes for each channel. (adjustable range:

–∞ to 0 dB)

Output is in accordance with the channel fader curve selected with the CH FADER curve switch.

19 CROSS FADER ASSIGN switch

This switch assigns each channel’s output to either right or left side of the cross fader (if multiple channels are assigned to the same side, the result will be the combined sum of the channels).

A:

The selected channel is assigned to the cross fader’s A (left) side.

THRU:

The channel fader’s output is sent as is to the master output, without being passed through the cross fader.

B:

The selected channel is assigned to the cross fader’s B (right) side.

20 Channel fader curve switch (CH FADER)

This switch allows the user to select from two types of channel fader curve response. This setting is applied equally to channels 1 to 4.

•At the left setting, the curve operates to produce a rapid rise as the channel fader approaches its distant position.

•At the right setting, the curve operates to produce an even, neutral rise throughout the channel fader’s movement.

21 Cross fader curve switch (CROSS FADER)

This switch allows the user to select from three types of cross fader curve response.

•At the left setting, the curve produces a rapid signal rise. (As soon as the cross fader lever leaves the [A] side, the [B] channel sound is produced.)

•At the right setting, the curve operates to produce an even, neutral rise throughout the cross fader’s movement.

•At the middle setting, an intermediate curve is produced, midway between the two curves noted above.

22 Cross fader lever

Outputs sound assigned to [A] and [B] sides in accordance with setting of the CROSS FADER ASSIGN switch, and subject to the cross fader curve selected with the CROSS FADER curve switch.

23 Master output level dial (MASTER LEVEL)

Use to adjust the master output level. (adjustable range: –∞ to 0 dB)

The master output is the sum combination of the sound from channels set to [THRU] with the CROSS FADER ASSIGN switch; the signal passed through the cross fader; and the signals from microphone 1 and microphone 2 (if the effect selector is set to [SND/RTN], the RETURN input is also added).

24 Master level indicator (MASTER L, R)

These segment indicators display the output level from L and R channels. The indicators have a two-second peak hold.

25 Master balance dial (BALANCE)

Use to adjust the L/R channel balance for master output, booth monitor output, recording output, and digital output.

26 Master output MONO/STEREO selector switch

When set to the [MONO] position, master output, booth monitor output, recording output, digital output are all produced in L+R monaural.

27 BOOTH MONITOR LEVEL control dial

This dial is used to adjust the booth monitor output volume. The volume can be adjusted independently of the master output level. (adjustable range: –∞ to 0 dB)

28 Headphones output switch (MONO SPLIT/STEREO)

MONO SPLIT:

When HEADPHONES CUE (1, 2, 3, 4 or EFFECTS) button is selected, the selected audio is output to the L channel. When HEADPHONES CUE (MASTER) button is selected, the master audio is output from the R channel.

STEREO:

The audio source selected with the HEADPHONES CUE button is output in stereo.

29 Headphones mixing dial (MIXING)

When rotated clockwise (toward [MASTER]), the master output audio is produced at the headphones (only when [MASTER] has been selected with the HEADPHONES CUE button); when rotated counterclockwise (toward [CUE]), the headphones output becomes the mixture of the effect monitor and the channel selected with the HEADPHONES CUE button.

In the middle position, the audio from [MASTER] and [CUE] will be output.

30 Headphones level adjust dial (LEVEL)

Adjusts the output level of the headphones jack. (adjustable range:

–∞ to 0 dB)

NAMES AND FUNCTIONS OF PARTS

31 Headphones jack (PHONES)

Connect to headphones equipped with phone-type jack.

32 Beat select buttons ( BEAT )

(Beat up):Doubles the calculated BPM. (Beat down):Halves the calculated BPM.

(P. 18)

• Some effects can be set for “3/4”.

With some effects, these are used for functions other than setting the beat.

33 MIDI ON/OFF button

Sets MIDI output function (not including timing lock) to ON/OFF. When power is first turned ON, automatically defaults to OFF.

34 MIDI start/stop button (MIDI START/STOP)

Outputs START/STOP signal for MIDI control function (see P. 21). When this control is enabled, the [MIDI START (STOP)] message appears for two seconds on the display.

MIDI SNAP SHOT:

When the MIDI START/STOP button is held depressed, a snapshot is sent to the external MIDI component.

35 BPM measuring mode button (AUTO)

Switches between the BPM measuring modes AUTO and TAP. When [AUTO] indicator on the display is lighted, the BPM will be measured automatically.

36 TAP button

The BPM is calculated from the intervals at which the TAP button is struck. If the TAP button is pressed in the AUTO mode, the mode automatically switches to the TAP mode (manual input).

37 MANUAL/EFFECT Frequency filter button

Use to switch between manual filter and effect frequency filter.

When power is first turned ON, defaults to effect frequency filter and the button indicator lights. When manual filter is selected, the button indicator does not light.

38 Manual filter adjust dial (FREQUENCY)

Use to adjust the cutoff frequency of the selected filter.

39Effect selector (DELAY, ECHO, TRANS, FILTER, FLANGER, PHASER, REVERB, ROBOT (ROBOT VOCODER), CRUSH, ROLL, REVERSE (REVERSE ROLL), UP (UP ROLL), DOWN (DOWN ROLL), SND/RTN (SEND/RETURN))

Use to select desired type of effect (P. 16).

When using an external effector connected to the SEND and RETURN connectors, set to the [SND/RTN] position.

40Effect channel selector (1, 2, 3, 4, MIC, CF.A, CF.B, MASTER)

Use to select the channel to which effects are applied (P. 18). When [MIC] is selected, effects are applied to both microphone 1 and microphone 2.

41Effect parameter 1 dial [TIME (PARAMETER 1)]

Adjusts time parameter for selected effect (P. 18, 20) (With some effects, this is used for adjustments other than time parameters.)

•If the TIME dial is rotated while depressing the TAP button, direct BPM can be set manually.

•If the TIME dial is rotated while holding the TAP button and AUTO/TAP buttons depressed, the BPM can be set in 0.1 units.

42Effect parameter 2 dial [LEVEL/DEPTH (PARAMETER 2)]

Adjusts quantitative parameters for selected effect (P. 18, 20).

43Effect button/indicator (ON/OFF)

Sets selected effect ON/OFF (P. 18). When power is first turned ON, defaults to effect OFF. When set to effect OFF, the button indicator lights. When effects are enabled (ON), the button flashes.

44 Display

See the following section for details.

DISPLAY SECTION

mS

4

1 Effects display section

Text display (7 characters) displays effect name as shown in accompanying table. Also, when one of the change operations is performed as noted in the table, the corresponding characters are displayed for two seconds, after which the display returns to the original effect name.

2 Channel select display section

Lights position selected by effect channel selector.

3 Parameter display section AUTO/TAP:

[AUTO] lights when the BPM measuring mode is set to AUTO, and [TAP] lights when the BPM measuring mode is set to manual (TAP).

BPM counter display (3 digits):

In AUTO mode, displays the automatically detected BPM value. If the BPM count cannot be detected automatically, the display will flash at the previously detected value. In manual (TAP) mode, displays the BPM value designated by TAP input, etc.

BPM:

Lights constantly.

MIDI:

Indicates status of MIDI output function ON/OFF.

•Lights when MIDI output function is ON.

•Not lighted when MIDI output function is OFF.

Parameter 1 display (5 digits):

Displays parameters designated for each effect. When the beat select buttons (BEAT , ) are pressed, the corresponding beat multiple change is displayed for two seconds. If the beat select buttons (BEAT , ) are used to designate a value outside the parameter range, the current number will flash but will not change.

Unit Display (%/ms):

Lights in accordance with the unit used for each effect.

4 Beat display section

Displays the location of parameter 1 relative to BPM (1/1 beat). The lower row is lighted constantly. When the parameter 1 location approaches a threshold value, the corresponding indicator is lighted. When the parameter 1 is between threshold values, the

MIXER OPERATIONS

MIXER OPERATIONS

1Set rear panel POWER switch to ON.

2Set the input selector switch for the desired channel to choose the connected component.

•CH1: Set to [CD] or [LINE]. CH2: Set to [CD] or [PHONO].

CH3/4: Set to [LINE] or [PHONO].

3Use the TRIM dial to adjust the input level.

4Use the channel equalizer dials (HI, MID, LOW) to adjust the tone.

5Use the channel fader lever to adjust the sound volume of the selected channel.

6To use the cross fader on the selected channel, set the CROSS FADER ASSIGN switch to either cross fader channel A or channel B, and operate the cross fader lever.

•When not using the cross fader, set the CROSS FADER ASSIGN switch to [THRU].

7Use the MASTER LEVEL dial to adjust the overall sound volume.

8Use the BALANCE dial to adjust the sound balance between right and left.

MONO/

STEREO

[Selecting Stereo or Monaural]

When the MONO/STEREO switch is set to [MONO], the master output becomes a monaural combination of L+R channels.

[Microphone Input]

1To use a microphone, set the MIC switch to [ON] or [TALK OVER].

•When the switch is set to [TALK OVER], any time a sound of over –15 dB is detected by the microphone, the output for all sound sources other than the microphone are attenuated by 20 dB.

2Use the MIC 1 LEVEL dial to adjust the sound volume of MIC 1, and use the MIC 2 LEVEL dial to adjust the sound volume of MIC 2.

3Use the microphone equalizer dials (HI, LOW) to adjust the tone of the microphone sound.

•The microphone equalizer function operates simultaneously on microphone 1 and 2.

[Booth Monitor Output]

1Use the BOOTH MONITOR LEVEL dial to adjust the sound volume.

•The BOOTH MONITOR LEVEL dial can be used to adjust the sound volume independently of the MASTER LEVEL dial.

[Headphones Output]

1Use the HEADPHONES CUE buttons (channels 1 to 4, MASTER, EFFECTS) to select the source.

•The selected HEADPHONES CUE button lights brightly.

2Set the headphones (MONO SPLIT/STEREO) switch.

•When HEADPHONES CUE (1, 2, 3, 4 or EFFECTS) button is selected, the selected audio is output to the L channel. When HEADPHONES CUE (MASTER) button is selected, the master audio is output from the R channel.

•When set to the [STEREO] position, the sound corresponding to the selected HEADPHONES CUE button is output in stereo.

3When [MONO SPLIT] is selected, use the MIXING dial to adjust the balance of sound between the left channel (sound selected with the HEADPHONES CUE button), and the right channel (the master sound – but only when the HEADPHONES CUE button for the [MASTER] is ON).

•When the MIXING dial is rotated clockwise (toward [MASTER]), the master output (only when the HEADPHONES CUE button for the [MASTER] is ON) increases; when rotated counterclockwise (toward [CUE]), the sound selected with the HEADPHONES CUE button is output.

4Use the LEVEL dial to adjust the headphones’ sound volume.

MIXER OPERATIONS

[Fader Curve Selection]

Select sound-volume curve corresponding to fader operation.

Use the CH FADER switch to select the desired channel fader response curve.

•At the left setting, the curve operates to produce a rapid rise as the channel fader approaches its distant position.

•At the right setting, the curve operates to produce an even, neutral rise throughout the channel fader’s movement.

•This setting applies equally to channels 1 to 4.

Use the CROSS FADER curve switch to select the cross fader curve response.

•At the left setting, the curve produces a rapid signal rise. (As soon as the cross fader lever leaves the [A] side, the [B] channel sound is produced.)

•At the right setting, the curve operates to produce an even, neutral rise throughout the cross fader’s movement.

•At the middle setting, an intermediate curve is produced, midway between the two curves noted above.

•This setting produces equal curve effects for both sides A and B.

FADER START FUNCTION

By connecting the optional Pioneer DJ CD Player control cable, the channel fader and cross fader can be used to start CD playback.

When the mixer’s channel fader lever or cross fader lever are moved, the CD player is released from the pause mode and automatically –and instantly – begins playback of the selected track. Also, when the fader lever is returned to its original position, the CD player returns to its cue point (back cue), thus allowing “sampler” type play.

Cross fader start play and back cue play

When the CD player assigned to cross fader channel A is set to standby at a cue point, moving the cross fader lever from the right

(B) side toward the left (A) side automatically starts play on the channel A CD player.

When the cross fader lever reaches the left (A) side, the CD player assigned to channel B goes to back cue (returns to cue point). Also, when the CD player assigned to channel B is set to standby at a cue point, moving the cross fader lever from the left (A) side to the right (B) side automatically starts playback on the channel B CD player. When the cross fader lever reaches the right (B) side, the CD player assigned to channel A goes to back cue (returns to cue point).

•The back cue is performed even if the input selector switch is not set to [CD] or [LINE].

[Using the Channel Fader to Start Playback]

FADER

START 1 1, 2

2

4

1Press the FADER START button for the channel (1, 2) connected to the CD player you wish to control.

•The button for the selected channel lights.

2Set the channel fader lever to “0”.

3Set the CD player to the desired cue point, and engage cue point standby.

•If a cue point has already been set, it is not necessary to set the CD player to standby at the cue point.

4At the instant you wish to start playback, move the channel fader lever.

•CD player begins playback.

•After playback has begun, if the channel fader lever is returned to the [0] position, the CD player returns to the cue point and re-enters standby mode (back cue).

•Playback control is possible with the channel fader only with the

CROSS FADER ASSIGN switch is set to [THRU].

EFFECT FUNCTIONS

EFFECT FUNCTIONS

This unit can produce a total of 15 basic beat effects (including SND/RTN) through beat effects linked to the BPM and manual filters or effect frequency filters linked to the FREQUENCY dial.

Additionally, by adjusting the parameters for each effects, a wide range of effects can be produced.

A wide variety of beat effects can be created by adjusting the temporal parameter through the TIME dial (Parameter 1) as well as the quantitative parameter through the LEVEL/DEPTH dial (Parameter 2).

A low-pass filter effect or high-pass filter effect can be created with the manual filter or effect frequency filter depending on the positioning of the FREQUENCY dial. Additionally, by combining beat effects with the manual filter or effect frequency filter, a wide range of effects can be created.

TYPES OF BEAT EFFECTS

1DELAY (One repeat sound)

This function allows a delay sound with beat of 1/8, 1/4, 1/2, 3/4, 1/1, 2/1, 4/1, 8/1, or 16/1 to be added quickly and simply. For example, When a 1/2 beat delay sound is added, four beats become eight beats. Also, by adding a 3/4 beat delay sound, the rhythm becomes syncopated.

Example

Original (4 beats)

1/2 delay

(8 beats)

2ECHO (Multiple repeat sounds)

This function allows an echo sound with beat of 1/8, 1/4, 1/2, 3/4, 1/1, 2/1, 4/1, 8/1, or 16/1 to be added quickly and simply. For example, when a 1/1 beat echo sound is used to cutoff the input sound, a sound in synch with the beat is repeated together with fadeout.

Also, by adding a 1/1 beat echo to the microphone, the microphone sound repeats in synch with the music beat.

If a 1/1 beat echo is applied to the vocal portion of a track, the song takes on an effect reminiscent of a “round”.

Example

3Auto TRANS

In units of 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, or 16/1 beat, the sound is automatically cut in synch with the rhythm.

1 cycle =1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, or 16/1 beat

4FILTER

In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, the filter frequency is moved, greatly changing the sound coloration.

5FLANGER

In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, 1 cycle of flanger effect is produced quickly and easily.

Example

Short delay

1 cycle =1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

6PHASER

In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, 1 cycle of phaser effect is produced quickly and easily.

Example

Phase shift

1 cycle = 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

Example

PRODUCING BEAT EFFECTS

2

3

TIME LEVEL/DEPTH

5 ON/OFF

Beat effects allow the instant setting of effect times in synch with the BPM (beats per minute), thus allowing the production of a wide variety of effects in synch with the current rhythm, even during live performances.

1Set BPM measuring mode to AUTO to measure BPM (beats per minute).

The BPM of the input music signal is detected automatically. Whenever power is first turned ON, the function defaults to the [AUTO] mode.

•In the event the track’s BPM cannot be detected automatically, the display’s BPM counter will flash.

•Measurable range: BPM=70 to 180.

It may not be possible to measure some tracks accurately.

In this case, press the TAP button and input the beat manually.

[Using the TAP Button for Manual BPM Input]

If the TAP button is tapped two times or more in synch with beat (1/4 notes), the BPM will be recorded as the average value recorded during that interval.

•When BPM mode is set to [AUTO], tapping the TAP button will cause the BPM mode to change to the TAP mode, and the interval at which the TAP button is pressed will be measured.

•When the BPM is set via the TAP button, the beat multiple becomes “1/1” (or “4/1”, depending on the effect selected), and the time for 1 beat (1/4 notes) or 4 beats will be set as the effect time.

•If the TIME dial is rotated while depressing the TAP button, direct BPM can be set manually.

If the TIME dial is rotated while holding the TAP button and AUTO buttons depressed, the BPM can be set in 0.1 units.